It's baaa-aaaack! After months of nothing, I feel a groove coming on. And it could be a serious one....one worth pushing into a body of work. It's almost as if this project had to wait until the right time to find fruition. I met Carol Bryer Fallert when she won the AQS Best of Show for her quilt, 'Birds of a Different Color'. She said that the idea for her quilt came 12 years before she had the skills to make it. Composers have been known to write music that they can't play.
In my mind, this all boils down to my self-view not as an artist, but as a problem solver. For me, the art comes through the 'aha' moment---the point of solution. Everything after that is so ordinary, it's almost boring. And I find that when work is truly complete, I'm sometimes disappointed. Seeing finished work doesn't have the thrill that comes with realizing the answer to a problem.
Case in point:
Here we have an unadorned library wall, complete with hideously distracting light fixtures. Even the head librarian agrees that the lights need to go, but libraries run on budgets. You know the rest.
Here is my first sketch, right out of the box. There followed a second, more intentional sketch. And then there was a survey, a poll. The poll indicates that artists around the world prefer the giant leaf collage. Lucky for me, 'cause I agree!
Then came a night of anxst, not over this, but over several situations in my life. At 4 am, I gave in to the insomnia, do a little office work, then broke out the pen tablet. **Suddenly, as I type, I feel the urge to christen said pen tablet, I love it so!** I hereby dub her Lucienne Fauré, Crafter of Illumination!! You may kiss her ring...
Anyway, serious design work ensued. Lucienne and I have arrived at this:
It's a good start, but there's more to be done. The colors haven't quite arrived yet. Seeing the photo so small makes me realize that I need to push the glowing highlights on the edges if this thing is going to show on the paneling. I'm ready to audition fabric and will probably oscilate between Lucienne and the fabric pile until it all feels right.
And I think there needs to be a greater sense of movement, spontenaity, like the original sketch. I want this whole arrangement to have more arch. But Lucienne is getting some beauty rest and laundry is calling with an annoying harshness. This'll have to sit for the afternoon.
What's left in my head is that this will be 3-D work. Copper mesh is in da' house! I've worked with window screening---fun to free-motion, but very pokey, and 1/2" wire grid--- with a sewing machine?...not so much. The needles were most unhappy about it. The copper seems promising. Then I'll need to come up with a way to mount the pieces on a hidden wooden frame---enter stage right---Very Handy Husband.
See what I mean? The hard part---the concept---is over. The rest is a snap.